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Showing posts with label fast fashion. Show all posts
Showing posts with label fast fashion. Show all posts

Monday, 1 August 2016

Breaking Up with ZARA

When I saw the title of this story in my feed, Why You Should Be Rooting Against ZARA, I had some idea of its content, but still felt compelled to read it. I visit ZARA often, despite my better nature, because there's an obvious attractiveness about the brand and its clothes. I seldom purchase, however, and when I do it's (almost) always on sale because, let's be honest, ZARA's sale prices reflect its products' actual worth.

I wrote a thing on H&M and their claims to sustainable fast fashion not long ago, and it felt like a self-intervention. OK not really, because I was inspired to write that based on another article I read, but I started questioning why I ever go in to H&M in the first place, and the reasons aren't unlike why I, or anyone for that matter, go to ZARA. So it's no surprise that I'm having similar feelings about ZARA that I have with H&M, which are two species of the same genus.

Source: HighSnobiety
ZARA's Streetwise collection and "great value" YZ

The first image from the article confirmed what I thinking to expect, and it wasn't like I was surprised but more like "Alright..." followed by a mellow sigha 'sad epiphany' is the best my vocabulary can muster because it brought out the realisation of what ZARA had always subconsciously represented to me.

The Yeezy Season 2 ripoff (above) wasn't inconspicuous at all and was widely reported early May this year. When I first saw the mannequins displayed at the window I thought "Tch! Cheap-ass Yeezy knockoff bullshit..." (I'm quick to scoff curtly) and that's when I had my first sad epiphany; the second came when reading the HighSnob article, and the two sad epiphanies are what necessitated my part-opinion, part-rant about why I'm breaking up with ZARA.


Source: TeamKanyeDaily, cropped for sizing

Yeezy Season 2. I had the insane expectation that Kanye would be smiling and happy... |:{

The HighSnob piece, which has since changed its title to ZARA & Tuesday Bassen: Why You Should be Paying Attention, lightly touches on the cheap rehash of Yeezy but mainly focuses on the story of Tuesday Bassen, an LA-based indie artist accusing ZARA of stealing her art. Her friend and fellow theft victim Adam J Kurtz set up a website to showcase ZARA's alleged handiwork in stealing Tuesday's and other artists' work. The most aggravating part of this story is the arrogance of ZARA's legal team issuing this actively passive-aggressive statement:
"The lack of distinctiveness of your client's purported designs makes it very hard to see how a significant part of the population anywhere in the world would associate the signs with Tuesday Bassen... This is our firm view, and being fully aware of the 3rd party notifications that you have brought to our attention. In this last regard, please not [sic] that such notifications amount to a handful of complaints only; when it is borne in mind that millions of users worldwide visit the respective websites monthly (Zara: 98,000,000 average monthly visits last year, Bershka: 15,000,000 average monthly visits last year), the figures clearly put those few notifications into sharp perspective." 
Source 
... followed by this PR-fueled template response, presumably after the story picked up:
"Inditex has the utmost respect for the individual creativity of all artists and designers and takes all claims concerning third party intellectual property rights very seriously. Inditex was recently contacted by the lawyers of artist Tuesday Bassen who noted the use of illustrations in some badges sourced externally and on clothes in its Group stores. The company immediately opened an investigation into the matter and suspended the relevant items from sale. Inditex’s legal team is also in contact with Tuesday Bassen’s lawyers to clarify and resolve the situation as swiftly as possible. We are also currently investigating other allegations of illustrations used on badges provided by external suppliers on a case by case basis."
Source
Classy, ZARA. Classy.

While ZARA "investigates" and supposedly "suspends relevant items from sale" they aren't really going to do much, and why should they? ZARA's brand is worth $10.7 billion, bringing in annual sales of nearly $16 billion, and its parent Inditex has a market cap worth $103.2 billion. While this dispute is ongoing ZARA continues selling its morally tainted pins and patches until the next production cycle when they appropriate other artists' work. They can argue that they are no longer selling relevant items but it'll be because they've likely sold through, and not because they're ceasing and desisting. This is a war of attrition where ZARA wins all the battles and the war.

But ZARA is far from being the only retailer to commit this petty theft. The fast fashion copycat business model scheme is best illustrated by Art Law Journal using another apparently more serious offender: Forever 21, who I deem lesser than ZARA.

"... the threat of a lawsuit doesn’t deter a fast fashion retailer because the retailer has come to build in losses for copyright infringement suits into their business model. The best example of this model would be big-box retailer Forever 21, who has been sued and has settled claims over 50 times for stealing prints and designs from designers like Anna Sui, 3.1 Phillip Lim, and Diane Von Furstenberg. Since prints and textiles are copyrightable, Forever 21 has in many instances infringed irrefutably.

The company has come to regard copyright infringements as an unavoidable and overall profitable strategy for their businessthey earn more money by producing and selling copied designs than any legal loss or public discord that may result from their infringement. In many cases, infringing on the copyright and settling the suit later is more cost-effective than licensing the design. Legal experts have noted that the company’s response in these cases is almost methodical: When Forever 21 settles a dispute over copying, it typically includes a non-admission of guilt, financial compensation to the designer whose work was copied, and a confidentiality agreement."
Source; select text bolded for emphasis
It's important to distinguish what is and isn't legally protected. I scrunch my face at ZARA ripping off Yeezy because that's my personal bias against ZARA—the copying of other designers' physical garment designs which, unfortunately, is not legally protected, at least according to US law. Does that make it OK though? The short answer, from a business standpoint, is yes; from a consumer standpoint, it depends, but for me, no. Hypothetically speaking, if I wanted Yeezy I would pay for the real thing.

What is protected are things like unique logos and symbols that should not cause confusing associations with other, similar iterations which would favour the proven originator of the work in question. Art falls under this category, which is why these cases usually involve artists rather than designers (who are artists in their own right but for the sake of staying on topic...) going after fast fashion retailers, and after a bit of Googling it occurred to me how often this happens. It certainly made me evaluate my relationship with ZARA. That and ZARA's quality is complete shit.

I don't know what the average shopper sees when they enter a ZARA, but I see 99% garbage. I often visit to look for that 1% worth considering on sale, but realistically that 1% isn't worth it. I was originally going to defend the ZARA Studio collection because I like the three pieces I own, but no. Between stealing artists' work and shit quality, it's an easy choice to make.

Goodbye ZARA. Can't say it was a pleasure.

My wardrobe is better off without you.

Sunday, 29 May 2016

H&M: The Sustainability Dilemma

(first published May 9, 2016)



I read an article recently from Quartz titled "Is H&M misleading customer with all its talk of sustainability?" and it got me thinking about the sustainability of fast fashion (as a business model it's not, obviously, but I'll try to avoid confirmation bias). H&M is the world's largest fast fashion retailer, bringing in sales of $25 billion in FY 2015. Inditex (Zara) came in second at about $23.9 billion, and I reckon will surpass H&M soon given its growth rate; aptly named Fast Retailing (Uniqlo) netted $13.8 billion; and Gap Inc. (GAP, Old Navy), despite their constant steep discounts, managed to net $15.8 billion. Fast fashion is a monstrous industry holding immense influence over consumer buying power worldwide, and with the luxury market taking a slight dip in the ongoing recovery of the global economy among other issues, low prices never looked so attractive.

Average consumers are smarter and more informed by the day. We look for deals where we can find them and more often than not buying decisions are driven by price. So what are the trade-offs for throwaway prices?



  • Cheaper fabric quality?
  • Weaker construction?
  • Fewer features and details, and therefore, product uniqueness?
  • Immediate gratification?
  • Our own psychological depreciation of product standards?
  • Apathy for what we buy?
  • Cheap labour, and therefore, social welfare?
  • Integrity of ourselves and brands?
  • Acceptance of "disposable" fashion?
Perhaps all of the above?

Looking at the amount of money these companies bring in I question if we as consumers question the integrity of these companies and the way they do business, and H&M is the case study company. As a brand H&M regularly places among the top 100 globally in a variety of indices for brand recognition and value, and sustainability is no exception. Corporate Knights (CK), a Toronto-based consulting and research firm whose mandate focuses on "clean capitalism" and sustainability performance across a variety of fields, ranked H&M 20th in their 2016 Global 100 Most Sustainable Corporations (up from 75 in 2015). Superficially it looks good but what does this mean? How does one quantify sustainability meaningfully?


Measuring Sustainability


CK, which has been publishing the Global 100 since 2005, details the 
rating methodology (more detailed pdf) used consisting of four screens:


  1. Sustainability disclosure: Within this first screen, CK uses 12 key performance indicators (KPI) to measure a corporation’s compliance, of which at least nine (75%) must be reported. Each KPI is weighed equally and has an accompanying equation that quantifies a result thereby allowing comparison with peers. Measurables include productivity per unit of resource, employee compensation and safety, and diversity of leadership, among others.
  2. Piotroski F-Score: This test measures a company's financial strength, specifically in relation to its stock strength (i.e., to buy or short) and future performance. There are nine criterion to meet; one point is awarded for each satisfied criterion, with 0 being weak and 9 being strong. The Piotroski F-Score was developed by Joseph Piotroski, an accounting professor at Stanford University. His paper written in 2000 showed, using historical financial information, a 23% return from stocks bought and shorted through his method. For the purpose of the Global 100, CK requires a corporation to achieve a score of at least 5.
  3. Product category: The tobacco and defense (i.e., weapons manufacturing) industries are omitted, so by default H&M passes.
  4. Sanctions: Penalties, settlements, or fines paid related to sustainability infractions are considered as a percentage of revenue. CK runs a keyword search related to sustainability punitive payments for each company.


Above is H&M's 12 KPIs. The first four productivity indicators link directly with resource use, which is what most of us think when we think "sustainability." All four equations take revenue over a unit of resource, like one gigajoule of energy or cubic metre of water. The higher the numbers, the more revenue generated per unit of resource.

Waste productivity stands out as an anomaly. The resource unit is non-recyclable or unusable waste in metric tonnes. There's a 30% reduction in productivity from 2015 to 2016, meaning each metric tonne of waste produced resulted in almost one third less revenue in 2016. My guess is waste production increased rampantly relative to revenue considering it doesn't follow the upward trends of the other productivity factors, and sales increased by about 19%.

Another indicator to take note of is the ratio of CEO compensation relative to average worker pay. The CEO of H&M earned 61 times more than the average worker in 2015 and decreased to 47 in 2016. To put this in perspective, executive compensation back in the days of JP Morgan Jr. was 20 to one—a figure he proposed to be reasonable. Nowadays executive compensation can reach upwards of 500 times average employee pay depending on the industry (e.g., the CEO of Ecolab, ranked 50 on the Global 100, earned 594 to one); H&M's 47 is modest in that regard.

Board of Directors and Management diversity are other areas of interest. It's absurd that organisations still have problems with female representation at the executive level when numerous studies prove gender diversity affects positive growth and change. H&M scores well with Board of Directors representation at 50%—the highest of all CK Global 100 members—and is tied with several other companies in upper management diversity at 40% (44% being highest).


The second screen is satisfying the Piotroski F-Score and H&M barely squeaks by, tallying the minimum required 5, meaning moderate growth. The conditions where H&M scored were
  • positive return on assets
  • positive operating cash flow
  • operating cash flow over assets is greater than return on assets
  • no new issue of outstanding shares
  • asset turnover is higher than previous year
Caveats to the Global 100

Because the Global 100 has a quota for reserved spots proportionate to GICS sector representation in the MSCI ACWI it's not a list of the most sustainable, at least it doesn't appear that way. It's hard to compare numbers objectively by industry when H&M is the only fast fashion retailer listed.


Diversity should extend to ethnicity as well, not just gender. I take it most of these companies don't have very diverse ethnic representation and therefore renders any quantitative measurement meaningless.


The most apparent caveat of all, however, is the Global 100 doesn't account for social welfare of foreign suppliers, which is a big component of sustainability. Quantifying living standards for different countries based on H&M's impact is a daunting task in itself, and would have to be a whole new list entirely.


H&M's Sustainability Mission


H&M has a comprehensive sustainability manifesto, if you will, that takes the form of a long-form public relations infographic (beefy 130-page pdf available too) detailing trends and milestones. There are a few points I'm interested in.


CEO Interview: Written by the H&M PR team. His answers' contents are moderate and hopeful, and can be found in just about any statement released by large corporations preaching corporate social responsibility. In short, it sounds nice.


Fair living wage: Right off the bat H&M fails to convince any sort of real action. They hide behind the "complexity" argument, and I'm not saying it isn't complex, but because it is, H&M can't affect real change the way it claims it can. The first consideration is manufacturers work with many brands, not just H&M. If fair wages are to be negotiated and realised all brands and buyers must agree on what's fair together, which is something H&M emphasises several times in their sustainability report. Responsibility is spread out and ownership of the fair wage issue is diluted, which works in their favour.


H&M publishes a comprehensive list of its suppliers numbering in the thousands online. The majority of suppliers are concentrated in China (701), Bangladesh (300), India (233), and Turkey (305). With so many manufacturers, processing plants and fabric mills it's not practical nor realistic to track fair wage initiatives on even a fraction of them. Instead, H&M is focusing on implementing their fair wage initiative for all strategic suppliers (produce 100% H&M products) by 2018. For "priority" suppliers, it will be an on-going process which means H&M holds less influence over the social welfare of those suppliers and must rely on the good faith of competitors and local governments to affect change. This brings into question of how much influence can a foreign manufacturer have over government policy, as far as clothing manufacturers go. Would it make a difference if all or most fast fashion purveyors make an altruistic stand to government for increased social welfare of their countries? The fast fashion business model is low prices and producing large volumes with great speed. The ideas conflict.


Another consideration is scale, not just in terms of number of manufacturers, but number of brands working with them. The sustainability report mentions partnerships with the United Nations agency International Labour Organisation and IndustriALL Global Union to strengthen mediation with manufacturers. To IndustriALL's credit, its ACT programme, which focuses on the fabric and garment industry supply chains, has the cooperation of 17 brands which include H&M and its largest competitor Inditex. ACT works on the basis of industry collective bargaining, which means "... all workers and manufacturers in the garment sector within that country can negotiate their wages under the same conditions, regardless of which factory they work for, and which retailers and brands they produce for." It sounds pretty, it really does, and I don't mean to be cynical but how does one negotiate with 701 manufacturers in China and have all parties satisfied? Will it only work with smaller countries with fewer manufacturers?


The only way to establish truly improved living standards for overseas labour, especially in developing countries, even if they are experiencing economic growth, is for H&M to own and manage their own factories. That way they have full control over all operations (i.e., wages, working conditions, dare I say employee development) and determine what is fair or above average. Of course, this is unrealistic and simply won't happen. H&M relies on their suppliers to churn out thousands of tonnes of garments annually; it's the business model that brought in $25 billion last year. H&M is a low price, high volume competitor, and they're leading the way.

H&M Conscious: My take on the Conscious line, at least the men’s offering, is boring and basic. Nothing compels me to want to pick anything up and look at it. The only reason I would is to look at the manufacturing label for fabric content. Most of the Conscious garments have some percentage of recycled or organic fabric, depending on the nature of the garment, and sell for about the same price as their regular offerings. The "conscious" part of the campaign is the feel-good added value of knowing that part of the garment is made with sustainability in mind, but honestly, how many people read manufacturer's labels? From my experience, not very many. The green tag may be enough to convince someone that the $6 conscious tank top is better than the regular $6 offering. The problem comes full circle when we remember, once more, the business model of fast fashion: low prices, bulk volumes, speed of production and delivery of product.


In an ideal world, sustainability would mean locality:

  • raw materials grown and processed locally and organically;
  • process methods yielding high output per unit of resource use;
  • labour is local so we know that even if it's minimum wage it's a standard all consumers can approve of;
  • lower carbon footprint since transportation costs are reduced;
  • all value-added steps within the supply chain would be at a higher cost than non-local production methods
As a result, consumers end up paying more for a sustainably produced garment than the conventional outsourced method. Yes, one may argue that a "Made in USA" or "Made in Italy", or a coveted "Made in Paris" label commands a highly subjective increase in margin, but the reasoning is there. When a fast fashion retailer markets its product as sustainable and prices it similar to its regular line, it tells the consumer one thing: be sceptical.

H&M's Seven Commitments: This is where the manifesto takes shape. I think it's great H&M details their commitments, but they fall short in a few places.
  • Choose and reward responsible partners: I find this commitment hard to wrap my head around from a supplier point of view. How can H&M source from thousands of suppliers and still says it's their choice who they work with? The fast fashion business model inherently conflicts with the idea of choice of source partners. H&M wouldn't be where it is today if it was selective about who it works with. It simply cannot push 600 million unit annually sourcing from responsible partners.
  • Be ethical: Really...? I can't even.
  • Reduce, Reuse, Recycle: The whole basis for H&M's sustainability and Conscious campaign, this commitment reinforces the ethos of fast fashion: that it's disposable. H&M, however, has made its stores into recycling centres for old garments and it will take all clothes regardless of brand or condition. This is a good marketing strategy because it creates a psychological response from the consumer to return to the store with their old clothes; they get the satisfaction of believing they're contributing to the company's sustainability initiatives and get discount incentives on their next purchase. We know this is purely business driven: one discount voucher per purchase over a stated minimum amount that H&M's quantitative experts determined would at least break even if not make a marginal profit in the store's overall sales.
  • Strengthen Communities: Probably the most commendable commitment, strengthening communities conflicts with the fast fashion business model as well as H&M's responsibility to its shareholders. When the business model of making money depends on low cost production for low priced goods, it leaves little room for philanthropy other than to distract from the overall grim picture of overseas outsourced labour. Make no mistake, this commitment is also business driven. H&M's quantitative team, I'm sure, allocates an annual maximum expenditure limit of resources for community building activities like early child education programmes, and skills training and entrepreneurial development for women in sourcing countries. The goal is simply to divert people's attention while it strives to be the leader in fast fashion. Any commendation that comes out of the campaign is just value-added.
Final Thoughts

I applaud H&M for trying, even if it's a PR stunt. The reality is the marriage between sustainability and fast fashion cannot be fully realised as long as the business model remains unchanged, and if it did it would be something entirely different. To H&M's credit, its efforts have racked up a multitude of awards and stakeholder testimonials and furthers consumers' belief in the company's sustainability cause. In the end it’s all about how a brand controls customers’ perception of their corporate social responsibility efforts. But it is hard to overlook the many stories that tell otherwise.

Is it better than doing nothing? Yes. Will it convince customers the company is doing good? Yes. Are they misleading customers? Not if they're sceptical.