GQ×GAP's Coolest Designers on the Planet, (L-R): Jey Perie of Kinfolk; Alexandre Mattiusi of AMI; Yasuto Kamoshita and Poggy of United Arrows (my favourite of the three designers). |
More United Arrow sweater vests, this time buried under some regular sweaters at the CF Pacific Centre GAP—likewise during Black Friday. |
United Arrows oversized raglan sleeve check coat, and United Arrows down jacket all available in my size; Metrotown GAP. |
Which brings me to my post.
So what happened to the so-called Coolest Designers on the Planet? Not much, really. The collection released on its usual scheduled last Tuesday of September—the 26th to be exact. Like last year, the collection was available online but the store shipments came late. Vancouver GAP stores did not carry any of the collaborative pieces until the end of the week, and even then the merchandise came in piece-meal deliveries; the marketing campaign was up, but the product was sparse. The best selling item was AMI's striped jumper; all that remained online were XLs, and stores quantities were limited.
As far as collaborations go, the hype behind all GQ×GAP releases have been virtually non-existent. Sure, GQ published a few videos detailing their international search and settling on the three brands, but it's all internal promotion. The glitz and glamour simply is not there. There are no line ups, no night-before campers, and definitely no resellers. Previous collections on ebay are marked up with a marginal premium only because they are no longer available and not because they are coveted in anyway; there is no ROI in GQ×GAP collaborations' resale.
AMI chunky leather velcro sneakers, GAP Metrotown, crammed into a small cubby hole. These could have been nice to pick up if I didn't already have enough shoes. |
Abundant United Arrows wide-leg chinos in khaki and navy; GAP CF Pacific Centre |
But the biggest factor by far that separates GAP from H&M is that the latter releases designer product lines for both women and men, with a greater focus on the former, and that makes a huge difference. H&M's collaborations are featured in print and online fashion editorials for both sexes, which garners more exposure and fuelling the hype before release. All the things that H&M are, the GAP are not.
By the last week of November, all items are "sold out" on the GAP's website, but anyone following closely knows it not to be true. Stock started springing up and being blended into the racks, fixtures, and shelves along with regular GAP goods. Great for customers (still itching to pick up some United Arrows pieces), not so much for the GAP.
AMI 100% cashmere boxy v-neck jumper; one of the pricier luxurious pieces—GAP Metrotown. I wish I could make this work. |
The haphazardly folded and stuffed purple "So Fancy" and yellow "GAP & UA" sweat t-shirts from United Arrows; GAP Metrotown |
Saturdays NYC white corduroy pants form last year's All-Star Collection. If this is any indication, The Coolest Designers on the Planet collection may very well be the final collaboration between GQ and the GAP. |
The company is shifting its focus away from the GAP to Old Navy where they see growth potential in the fast-fashion sector. Having done four GQ×GAP collections, one All-Star collection, and now an international cohort, I don't know what else GQ and the GAP can do. GAP×Human Made? GAP×Greg Lauren? GAP×VETEMENTS? (Ha ha, no. More like H&M×VETEMENTS). It would seem like the trend of collaborations between brands is not slowing down; if anything it's rampant. There are too many to count, many of them unknown and obscure to pedestrian shoppers and consumers, but I suppose that's the point. GQ×GAP is a modest partnership I appreciate. Were it not for the GAP's damaged reputation, or GQ's state of purgatory, the annual BNMDA capsules would be more enticing. Perhaps this partnership has run its course, or GQ will produce the collaboration with Old Navy instead? We'll see next September if there is a renewed interest, and announcement of another collection.